Iranian-born, Dublin-based visual and performing artist Atoosa Pour Hosseini could be called ‘a memory weaver’ of the Experimental Film…
Read more ›Rouzbeh Rashidi’s otherwise wordless Phantom Islands begins with a quote from Sheridan Le Fanu’s The Tenants of Malory, a…
Read more ›Somewhere a phantom island Can be reached in phantom ships. – April in Paris (1952) One island or many?…
Read more ›Phantom Islands (Ireland, 2018, 86’) is the overturning of the neo-pagan occultist Jörg Lanz von Liebenfels paradigm, in which…
Read more ›Phantom Islands (2018) – Rouzbeh Rashidi Making Cinema for Rashidi means first of all talking about Cinema, and how…
Read more ›The history of cinema has seen its share of the unforgettable director-actor collaborations, such as Akira Kurosawa & Toshirō…
Read more ›There are directors who push the boundaries of what is considered the mainstream cinema. Then, there are experimenters who…
Read more ›Film, photography and national identity Berwick Street Film Collective’s Ireland: Behind the Wire (1974) and Seamus Murphy’s The Republic…
Read more ›To begin this talk about a possible approach tocreating and experiencing experimental cinema in the 21st century,I’m going to…
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