Iranian-born, Dublin-based visual and performing artist Atoosa Pour Hosseini could be called ‘a memory weaver’ of the Experimental Film…
Read more ›
Rouzbeh Rashidi’s otherwise wordless Phantom Islands begins with a quote from Sheridan Le Fanu’s The Tenants of Malory, a…
Read more ›
Somewhere a phantom island Can be reached in phantom ships. – April in Paris (1952) One island or many?…
Read more ›
Phantom Islands (Ireland, 2018, 86’) is the overturning of the neo-pagan occultist Jörg Lanz von Liebenfels paradigm, in which…
Read more ›
Phantom Islands (2018) – Rouzbeh Rashidi Making Cinema for Rashidi means first of all talking about Cinema, and how…
Read more ›
The history of cinema has seen its share of the unforgettable director-actor collaborations, such as Akira Kurosawa & Toshirō…
Read more ›
There are directors who push the boundaries of what is considered the mainstream cinema. Then, there are experimenters who…
Read more ›
Film, photography and national identity Berwick Street Film Collective’s Ireland: Behind the Wire (1974) and Seamus Murphy’s The Republic…
Read more ›
To begin this talk about a possible approach tocreating and experiencing experimental cinema in the 21st century,I’m going to…
Read more ›
